{"id":3271,"date":"2023-04-07T11:28:24","date_gmt":"2023-04-07T11:28:24","guid":{"rendered":"https:\/\/maffez.com\/?page_id=3271"},"modified":"2023-08-22T15:09:18","modified_gmt":"2023-08-22T15:09:18","slug":"behringer-rd8-mk2","status":"publish","type":"page","link":"https:\/\/maffez.com\/?page_id=3271","title":{"rendered":"Behringer RD8 MK2"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><sub>Apologies for not providing any further updates\/ or pending mod descriptions for this project any longer. I describe many mods here (more than the classic mods for the original), including mistakes and spelling glitches, and feel I rather want to spend time on other synth modding\/development projects. <\/sub><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Intro<\/strong><\/h2>\n\n\n\n<p>Originally, this MK2 move made me a bit concerned &#8211; synths as fast fashion or something&#8230; this didn&#8217;t come from some &#8220;vintage rules&#8221; or &#8220;replification istead of clonisization&#8221; angle, but simply made me feel that I had to balance my joy over the democratisation of music making  against the affective and ecological dynamics of a business model of high sales with small margins. Treehugger much? Yep, baby, cats and cuddles instead of car and kids! As for other MK2s or Mk1s for that matter, I&#8217;ll go more with a &#8220;let&#8217;s wait and see first&#8221; attitude.<\/p>\n\n\n\n<p>Anyhow&#8230; below you find some <strong>comparison between revisions<\/strong>, some <strong>thoughts on the clap<\/strong> circuit, and, of course, very soon, <strong>mods for the MK2<\/strong> and some suggestions for <strong>tweaking the MK1 towards MK2<\/strong> sounds. The differences are not huge, anyways. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1509\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/rdshootout-scaled.jpg\" alt=\"\" class=\"wp-image-3273\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/rdshootout-scaled.jpg 2560w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/rdshootout-300x177.jpg 300w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><strong>Comparison MK1\/MK2<\/strong><\/h2>\n\n\n\n<p>Around a year ago I checked out the MK2 against the background of being <a href=\"https:\/\/maffez.com\/?page_id=160\">familiar with the MK1 <\/a>circuits: <a rel=\"noreferrer noopener\" href=\"https:\/\/www.amazona.de\/test-behringer-rd-8-mkii-tr-808-klon-2022\/\" target=\"_blank\">https:\/\/www.amazona.de\/test-behringer-rd-8-mkii-tr-808-klon-2022\/<\/a>. There weren&#8217;t many A\/B clips in that report, so first of all, here is some more decided  MK1\/MK2 testing. <\/p>\n\n\n\n<p>Both machines were recorded via a MOTU828ES into Logic with the same gain from the<strong> phones out<\/strong> (going for same signal polarity, which is inverted on the MK1&#8217;s main out). Sound settings on both machines were identical. When you hear slight differences of pitch, that&#8217;s on account of general (minor) tuning differences in both machines. For instance, the two snare oscillators on that MK2 I recorded were more detuned than those on the MK1.     <\/p>\n\n\n\n<p>The first hit in each recording is always the MK1, followed by MK2 (then alternating betwen 1 and 2). For the BD clip I used some panning (Mk1 left, MK2 right) to make the difference clearer as there are some staccato hits for the legendary &#8220;kick buildup&#8221; effect.<\/p>\n\n\n\n<p>Bass Drum<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/BD_MK1first.mp3\"><\/audio><\/figure>\n\n\n\n<p>Snare Drum<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/SNARE_MK1first.mp3\"><\/audio><\/figure>\n\n\n\n<p>LT\/LC<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/LTLC_mk1first.mp3\"><\/audio><\/figure>\n\n\n\n<p>MT\/MC<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/MTMC_mk1first.mp3\"><\/audio><\/figure>\n\n\n\n<p>CL\/RS (MNK1 is a &#8220;Rimzilla&#8221; version, see my <a href=\"https:\/\/maffez.com\/?page_id=160\" target=\"_blank\" rel=\"noreferrer noopener\">RD8<\/a> page)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CLRS_Zillafirst.mp3\"><\/audio><\/figure>\n\n\n\n<p>Maracas<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/MA_Mk1first.mp3\"><\/audio><\/figure>\n\n\n\n<p>Clap<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CP_mk1first.mp3\"><\/audio><\/figure>\n\n\n\n<p> Cymbal<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CY_mk1first.mp3\"><\/audio><\/figure>\n\n\n\n<p>Hats<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/HH_mk1first.mp3\"><\/audio><\/figure>\n\n\n\n<p>Demos with more\/all instruments playing will come along soon! <\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Reports on my Clap have been exaggerated<\/strong><\/h2>\n\n\n\n<p>The pitch differences in both claps are apparent but these are on account of a  different resistor value that sets the cutoff of the noise body lower on the MK1. Deep88 got in touch with me immediately when A\/B-ing his and I helped them modding their MK2 to go lower: <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=ZKWyWKOwUr8\" target=\"_blank\">https:\/\/www.youtube.com\/watch?v=ZKWyWKOwUr8<\/a>.<\/p>\n\n\n\n<p>Here&#8217;s what the retromodded (lol) MK2 clap sounds like: <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CP_Retrograde_Mod.mp3\"><\/audio><\/figure>\n\n\n\n<p>Now, let me be a bit obnoxious&#8230; As for the BA662 clone in the clap rattle circuit (Mk1 uses a 13700 OTA here, which counts as an acceptable substitute), spotting differences is less easy. Listen to this (bit of a longer file) and guess which is which:<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/Clap_and_clap.mp3\"><\/audio><\/figure>\n\n\n\n<p>Let&#8217;s take this to absurd lengths &#8211; here&#8217;s a setup that approximates an SH101 (As3340 VCO, As3109 filter, then As662D VCA vs \/LM13700 VCA). Which is which?<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/LM13700ORBA662.mp3\"><\/audio><\/figure>\n\n\n\n<p>Don&#8217;t get me wrong, I do love me a BA662, but a magic formula it ain&#8217;t\/the surrounding circuits do have an effect here too! Which kinda brings me back to my Amazona review and the feeling of &#8220;less PR and more R&amp;D and passion, please!&#8221; After all, the only (noise) trimmer in the MK2 is labelled &#8220;function&#8221;- wow&#8230;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/labelwlove-1024x870.jpeg\" alt=\"\" class=\"wp-image-3302\" style=\"width:498px;height:422px\" width=\"498\" height=\"422\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/labelwlove-1024x870.jpeg 1024w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/labelwlove-300x255.jpeg 300w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/labelwlove-768x652.jpeg 768w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/labelwlove-1536x1305.jpeg 1536w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/labelwlove.jpeg 1595w\" sizes=\"auto, (max-width: 498px) 100vw, 498px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><strong>Modifications<\/strong><\/h2>\n\n\n\n<p>ATM you will only find some mods here, so best also check my <a rel=\"noreferrer noopener\" href=\"https:\/\/maffez.com\/?page_id=160\" target=\"_blank\">MK1 modding page<\/a>. There I describe the basic circuits (which are the same here, except improved instrument summing) and link a range of sources with further 808-style mods. <\/p>\n\n\n\n<p>Let&#8217;s kick off with some extreme FX tweaks&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/05\/fxfinshort.mp3\"><\/audio><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Bass Drum<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/BDMODS_MK2-1024x855.jpg\" alt=\"\" class=\"wp-image-3306\" style=\"width:621px;height:518px\" width=\"621\" height=\"518\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/BDMODS_MK2-1024x855.jpg 1024w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/BDMODS_MK2-300x251.jpg 300w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/BDMODS_MK2-768x641.jpg 768w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/BDMODS_MK2-1536x1283.jpg 1536w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/BDMODS_MK2.jpg 1663w\" sizes=\"auto, (max-width: 621px) 100vw, 621px\" \/><\/figure>\n<\/div>\n\n\n<p><strong>Extended Decay<\/strong>: This mod extends the longest possible decay of the bass drum and can\/should be done as a fixed tweak as it basically just alters the long range of your BD decay knob. Simply wire a 1,5M-1M (more ohm = less maximum decay) across <strong>R435<\/strong> (47k). This increases feedback of the T-bridge and makes your kick ring longer.<\/p>\n\n\n\n<p>Example with 1.5M resistor across <strong>R435<\/strong>:<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/bddecay1m5.mp3\"><\/audio><\/figure>\n\n\n\n<p>Note, how the lengthening also depends on the centre frequency of your kick &#8211; lower tuning = more decay in this case. Also note how buildup effect sets in quite drastically when you use long decay and fast notes.<\/p>\n\n\n\n<p><strong>Change pitch sweep amount<\/strong>: <strong>R312<\/strong> (6.8K) sets how much the pitch envelope of the kick affects tuning. If you want to increase the effect, simply replace <strong>R312<\/strong> with a 4.7k resistor alternatively, toy around with replacing <strong>R312<\/strong> with a 5k potentiometer and a 3.3k resistor in series (pot set up as a variable resistor). Easiest solder points are collector <strong>T28<\/strong> and top terminal <strong>C259<\/strong>.<\/p>\n\n\n\n<p>Example with 10k across <strong>R312<\/strong> (more extreme):<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/bdpmod10k.mp3\"><\/audio><\/figure>\n\n\n\n<p>Example with 20K across <strong>R312<\/strong> (less so)<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/bdpmod20k.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Make click filter stronger\/click duller<\/strong>:  use this as a fixed tweak as this simply extends the maximum muffling when the tone knob is all the way down. Add a 100nf capacitor to <strong>C232<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/BDclickmod.mp3\"><\/audio><\/figure>\n\n\n\n<p>&#8220;<strong>Hammer&#8221;-blam trigger conditioner mod<\/strong>: increase the value of <strong>C263<\/strong> to 100nf by wiring a switch and a 100nf cap across <strong>C263<\/strong>. <\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/Bdtcondhammer.mp3\"><\/audio><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Snare Drum<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/Rd8MK2SDmods.jpeg\" alt=\"\" class=\"wp-image-3331\" style=\"width:492px;height:757px\" width=\"492\" height=\"757\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/Rd8MK2SDmods.jpeg 591w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/Rd8MK2SDmods-195x300.jpeg 195w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><\/figure>\n<\/div>\n\n\n<p><strong>T-Bridge Boost<\/strong>: I like this one as it gives more oomph to the snare. Snappy and snare body (the &#8220;plonk&#8221; bit) are passively summed and with this mod you simply increase &#8220;plonk&#8221; level. Either replace <strong>R330<\/strong> (100k) with s 51k resistor or wire another 100k resistor across the existing one.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/sd_tboost.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Snappy decay<\/strong>: <strong>C331<\/strong> (0.47uf) sets the decay time of the snappy bit. You can increase this decay time with a fixed resistor (on the machine I just have here 100nf on top sound rad!).<\/p>\n\n\n\n<p>100nf on top:<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/sdsnsapdecay100nf.mp3\"><\/audio><\/figure>\n\n\n\n<p>4.7uf on top (way too much):<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/sdsnsapdecay4u7.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Variable snappy decay<\/strong>:  Alternatively, you make this time variable by adding a much larger capacitor (try a polarized electrolytic 2.2uf-4.7uf &#8211; cathode is the bottom terminal of <strong>C331<\/strong>)  and then wiring a 1M pot between the cathode of your enlarged capacitor and ground. You may want to toy aroudn with different cap and pot values for finding your sweet spot!<\/p>\n\n\n\n<p><strong>More low freq on snappy<\/strong>: snappy is practically just filtered noise, and toying with this filter circuit can be fun. Test adding a 100nf capacitor on top of <strong>C337<\/strong> &#8211; this opens the filter a little bit on the lower end. Go crazy and use larger cap values (or not&#8230;)!<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/sdfixhplower_100nfacrossC337.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Variable snappy cutoff<\/strong>: By replacing <strong>R590<\/strong> (22k) with a 50 pot and a 2k resistor in series, you can have some fun! Here&#8217;s just a quick and dirty clip where <strong>R590<\/strong> toggles between 22k and ca. 10k resistance..<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/sd_HPCUTOFF_10k_R590.mp3\"><\/audio><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Toms<\/strong><\/h2>\n\n\n\n<p>I seem to find toms on classic XoX machines feckin boring, so hard pass this time&#8230; (check my Rd8, MK1 page and\/or my Roland CR-800 pages though for ideas&#8230;)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Clave and Rimshot<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/RSCLMK2.jpeg\" alt=\"\" class=\"wp-image-3352\" style=\"width:477px;height:343px\" width=\"477\" height=\"343\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/RSCLMK2.jpeg 915w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/RSCLMK2-300x216.jpeg 300w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/RSCLMK2-768x553.jpeg 768w\" sizes=\"auto, (max-width: 477px) 100vw, 477px\" \/><\/figure>\n<\/div>\n\n\n<p>quite a couple of things more are possible, yet I find RS tune and CL tune the most interesting modifications.<\/p>\n\n\n\n<p><strong>RS Tune<\/strong>: replace <strong>R173<\/strong> (5.6K) with a 10k pot (set up as a variable resistor) and 1k resistor in series.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/RS_pitch.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>CL Tune<\/strong>: replace <strong>R533<\/strong> (1k) with a 2k pot (set up as a variable resistor) and a 200ohm resistor in series. NB if you go too low (say, by using a 5K pot), the circuit starts beeping by itself. Coll for techno stuff maybe&#8230;<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CL_pitch.mp3\"><\/audio><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Clap<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CP_MK2-971x1024.jpeg\" alt=\"\" class=\"wp-image-3343\" style=\"width:564px;height:594px\" width=\"564\" height=\"594\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CP_MK2-971x1024.jpeg 971w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CP_MK2-285x300.jpeg 285w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CP_MK2-768x810.jpeg 768w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CP_MK2.jpeg 1250w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/figure>\n<\/div>\n\n\n<p>Here you hear offset, fuller body, frrp mod and &#8220;pitch &#8220;tune&#8221; mod in one file:<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CP_frp_pitch.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Fuller body<\/strong>: you *need* this, especially when doing the pitch\/cutoff mod too. Wire a 220nf capacitor across <strong>C235<\/strong> in order to unleash that clap body!<\/p>\n\n\n\n<p><strong>Frrrp<\/strong>: clap consists of two main components, some reverb body and some initial <em>frrrp<\/em> (a saw wave modulating a VCA). Now, you can easily tweak that initial <em>frrrp<\/em> by replacing <strong>R492<\/strong> (on the original Tr808 this is  R354 with 5.6K) with a 50k resistor (set up as a variable resistor). This interacts nicely with the offset mod Behringer already implemented.<\/p>\n\n\n\n<p><strong>Reverb on\/off<\/strong>: simply wirer an on\/off switch between ground and the cathode (lower terminal in the picture) of <strong>D47<\/strong>. Engaging the mod switches oof the &#8220;reverb&#8221; component and gives you a clap as dry as they come.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CP_noreverb.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>Tune\/cutoff<\/strong>: the main &#8220;body&#8221; of the clap consists of filtered noise. By making the cutoff of this filter variable, you get something akin to tune (as that filter is resonating it emphasises the frequencies around the cutoff point very strongly). Do this mod by replacing <strong>R139<\/strong> with a 25k pot (set up as a variable resistor) and a 1k resistor in series. If you want your clap to go even higher, reduce that resistor value &#8211; but mind your ears! <br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Cowbell<\/strong><\/h2>\n\n\n\n<p>Sadly, the cool cowbell mod of the original 808 cannot be done as easily on the Rd8 as the hex-noise tuning in the latter is done per CPU\u2026 re wiring everything to 808 is doable but tedious\u2026 pester Behringer for tuning options in the firmware!! \ud83d\ude09<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/4090B912-86AF-4EF0-B4EC-DAF6D63FF0D5.jpeg\" alt=\"\" class=\"wp-image-3399\" style=\"width:462px;height:463px\" width=\"462\" height=\"463\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/4090B912-86AF-4EF0-B4EC-DAF6D63FF0D5.jpeg 995w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/4090B912-86AF-4EF0-B4EC-DAF6D63FF0D5-300x300.jpeg 300w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/4090B912-86AF-4EF0-B4EC-DAF6D63FF0D5-150x150.jpeg 150w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/4090B912-86AF-4EF0-B4EC-DAF6D63FF0D5-768x770.jpeg 768w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/4090B912-86AF-4EF0-B4EC-DAF6D63FF0D5-100x100.jpeg 100w\" sizes=\"auto, (max-width: 462px) 100vw, 462px\" \/><\/figure>\n<\/div>\n\n\n<p><strong>Decay<\/strong>: for longer cowbell decay, augment C269 (0.47uf) to anything you like \ud83d\ude42<\/p>\n\n\n\n<p><strong>Filter tuning<\/strong>: the cowbell is two square oscillators sent through resonant filters. You can change the cutoff of these two filters and foreground different characteristics of \u201cyoiiink,\u201d if that\u2019s your kink. Simply exchange <strong>R160<\/strong> (2.2k) with a 5k or 10k pot and a 100ohm resistor in series.<\/p>\n\n\n\n<p><strong>Cv input<\/strong>: as easy as feeding cv into the cathode )lower terminal) of D52.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Hi Hats<\/strong><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/9F31277E-F504-47CF-B3BC-65C83FD1284E-1024x981.jpeg\" alt=\"\" class=\"wp-image-3358\" style=\"width:492px;height:471px\" width=\"492\" height=\"471\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/9F31277E-F504-47CF-B3BC-65C83FD1284E-1024x981.jpeg 1024w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/9F31277E-F504-47CF-B3BC-65C83FD1284E-300x288.jpeg 300w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/9F31277E-F504-47CF-B3BC-65C83FD1284E-768x736.jpeg 768w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/9F31277E-F504-47CF-B3BC-65C83FD1284E-1536x1472.jpeg 1536w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/9F31277E-F504-47CF-B3BC-65C83FD1284E.jpeg 1638w\" sizes=\"auto, (max-width: 492px) 100vw, 492px\" \/><\/figure>\n<\/div>\n\n\n<p>Again, more is possible (see my Rd8 and my RD6 pages), but this is what I like best.<\/p>\n\n\n\n<p><strong>More body:<\/strong> the hats, as they are, sound okay, although I sometimes miss the force&amp;shimmer I know from my CR-8000. Anyhow, you can extend the bottom end a bit by wiring a 1nf capacitor each across <strong>C233<\/strong> and <strong>C231<\/strong>. Shoddy demo of various hat settings (occasional click when I put the cap in by hand):<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/hat_body.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>NZ attenuation<\/strong>: the main component of hats and cymbal are six bandpass filtered square waves. The bandpass filter is fun (see cutoff mod below), but it also has a great part in whether the metal works in the TR\/RD shine or screech. I find attenuating the input of the filters by wiring a 1k resistor between  the top of <strong>R317<\/strong> and ground makes for a generally smoother sound.<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/NZ_attenhcy.mp3\"><\/audio><\/figure>\n\n\n\n<p><strong>BP Cutoff<\/strong>: you can change the cutoff of both bandpass filters by replacing <strong>R238<\/strong> and <strong>R283<\/strong> (560ohms) each by a 200ohm resistor and a 2k pot in series. Toy around for some extreme sounds!<\/p>\n\n\n\n<p><strong>NZ IN<\/strong>: <strong>C267<\/strong> and <strong>C295<\/strong> are the audio inputs of OH and CH, as it were. Here, the bandpass filtered metal noise comes usually to play, but you can also lift these caps from the PCB and use the upper terminals for feeding in white noise (use a toggle switch to have metal\/white as options). Note that lifting SMD caps can be a bit tedious \u2014 be patient!<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/05\/hatfinal.mp3\"><\/audio><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Nerdy excursion &#8211; exchanging VCA transistors with high HFE types<\/strong><\/h2>\n\n\n\n<p>Reading through Yocto and other fora about 808 circuits, you often read that the swing type VCA transistors in the hat circuits (and the snare snappy, for that matter) should use transistors with a HFE factor of over 300. Basically, better amplification &amp; shinier hats&#8230;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"642\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/469A3B73-FAD6-41BB-843B-F31EFA4D2E09.jpeg\" alt=\"\" class=\"wp-image-3395\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/469A3B73-FAD6-41BB-843B-F31EFA4D2E09.jpeg 1020w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/469A3B73-FAD6-41BB-843B-F31EFA4D2E09-300x189.jpeg 300w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/469A3B73-FAD6-41BB-843B-F31EFA4D2E09-768x483.jpeg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure>\n<\/div>\n\n\n<p>Behringer uses stock transistors here, which are not too shabby  in that area (if memory serves I measured HFE of around 240). Out of curiosity I exchanged  them for BC547C with some higher HFE, and here&#8217;s an A\/B recording&#8230;.<\/p>\n\n\n\n<p>First, let&#8217;s hear the stock version on the closed hat. I simply sweep the tone knob up:<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CH_STOCKHFE.mp3\"><\/audio><\/figure>\n\n\n\n<p>Now the higher HFE types, same sound\/pattern:<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/CH_HFE270.mp3\"><\/audio><\/figure>\n\n\n\n<p>Worth it?<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/08F611F4-75F6-46DB-BE82-F1B48B31D86B-1024x577.jpeg\" alt=\"\" class=\"wp-image-3393\" srcset=\"https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/08F611F4-75F6-46DB-BE82-F1B48B31D86B-1024x577.jpeg 1024w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/08F611F4-75F6-46DB-BE82-F1B48B31D86B-300x169.jpeg 300w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/08F611F4-75F6-46DB-BE82-F1B48B31D86B-768x433.jpeg 768w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/08F611F4-75F6-46DB-BE82-F1B48B31D86B-1536x865.jpeg 1536w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/08F611F4-75F6-46DB-BE82-F1B48B31D86B-2000x1128.jpeg 2000w, https:\/\/maffez.com\/wp-content\/uploads\/2023\/04\/08F611F4-75F6-46DB-BE82-F1B48B31D86B.jpeg 2003w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure>\n\n\n\n<p>White dot markings by me\u2026<\/p>\n\n\n\n<p> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Apologies for not providing any further updates\/ or pending mod descriptions for this project any longer. I describe many mods here (more than the classic mods for the original), including mistakes and spelling glitches, and feel I rather want to spend time on other synth modding\/development projects. Intro Originally, this MK2 move made me a &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/maffez.com\/?page_id=3271\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Behringer RD8 MK2&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3271","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/maffez.com\/index.php?rest_route=\/wp\/v2\/pages\/3271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/maffez.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/maffez.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/maffez.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maffez.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3271"}],"version-history":[{"count":0,"href":"https:\/\/maffez.com\/index.php?rest_route=\/wp\/v2\/pages\/3271\/revisions"}],"wp:attachment":[{"href":"https:\/\/maffez.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}